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Monday, July 20, 2020 | History

1 edition of Lawyering for the media and entertainment industries found in the catalog.

Lawyering for the media and entertainment industries

Lawyering for the media and entertainment industries

lessons on the legal and business issues in entertainment and media practice

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Published by Massachusetts Continuing Legal Education in Boston, MA (10 Winter Pl., Boston 02108-4751) .
Written in English

    Places:
  • United States.
    • Subjects:
    • Entertainers -- Legal status, laws, etc. -- United States.,
    • Artists" contracts -- United States.,
    • Authors and publishers -- United States.,
    • License agreements -- United States.

    • Edition Notes

      StatementMark A. Fischer, chair ... [et al.].
      ContributionsFischer, Mark A., Massachusetts Continuing Legal Education, Inc. (1982- )
      Classifications
      LC ClassificationsKF390.E57 L49 1996
      The Physical Object
      Paginationxii, 434 p. :
      Number of Pages434
      ID Numbers
      Open LibraryOL1018307M
      LC Control Number96075457

      (ii) negotiating the format rights for “the Amazing Race”, “the Voice” and “ Ways to Leave a Game Show” and movie production agreements, content distribution agreements (for both traditional and new media), agreements with copyright administrators and co-operation agreements with international entertainment agencies (such as CAA.   An alien advance party was suddenly nosing around my planet. Worse, they were lawyering up In the hilarious tradition of The Hitchhikers Guide to the Galaxy, Rob Reid takes you on a headlong journey through the outer reaches of the universeand the inner workings of our absurdly dysfunctional music industry. Low-level entertainment lawyer Nick Carter thinks/5.

      UCLA’s Ziffren Institute for Media, Entertainment, Technology and Sports Law places students in the heart of “the business” and positions them for successful careers as lawyers, policymakers, and leaders in the motion picture, television, music and artistic industries. In some of these industries, social norms and other forms of “order without law” substitute for IP rules. But in others, copying becomes part of the creative ecosystem, and may—as in fashion—even lead to more creativity rather than less. We will explore these fascinating industries and ask a few big questions.

      An over-arching model of the entertainment industry would have been useful to organize the text. The book is U.S.-centered, although this is not explicitly signaled in the title. It does not discuss the history of non-U.S. entertainment industries or . Law, New York (Ma , PM EDT) -- Law is pleased to announce the formation of its Media & Entertainment editorial advisory board.


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